Here we go again! As I continue to look back through my albums of the year, month by month. This time I’ll take a look at April, which saw the return of The Strokes after seven years, the wonderful collaboration between Tom Misch & Yussef Dayes, amongst fantastic new albums from Enter Shikari, Fiona Apple and The Used. April once again saw an abundance of new music, and as always it was hard to pin down what my top five albums were. This list could have easily included Thundercats ‘It Is What It is’, and new releases from R.A The Rugged Man and Dance Gavin Dance, but alas I can only pick five, and these are the beautiful albums that I have chosen.
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Posted in Album Reviews, JournalismTagged Acid Jazz, Album, Album Review, Alternative, America, April, Bad Decisions, Blink 182, Discover, Electronica, Emo, Emotional Hardcore, England, Enter Shikari, Fetch the Bolt Cutters, Fever 333, Fiona Apple, Geography, Hardcore, Heartwork, hip-hop, Human League, Jason Aalon Butler, Journalism, letlive., Lo-Fi Hip-Hop, London, Mark Hoppus, Metacritic, Metal, Music, Music Feature, Music Journalism, Music Review, neo-New Wave, neon-R&B, New Music, Nightrider, Nothing Is True & Everything Is Possible, Panic! At the Disco, Piano, Pop-Punk, Post-Punk, Punk Rock, Review, Rick Rubin, Rock, Rou Reynolds, Songwriter, The New Abnormal, The Strokes, The Used, Tom Misch, USA, Venice Beach, What Kinda Music, Yussef Dayes4 Comments
