Shows like these are notorious for their crowd interaction, the mosh pits, the lead singer jumping into the crowd, the sweaty fat guy with his top off swinging it above his head, it can be these antics that makes these type of gigs so enjoyable to attend. However, it’s a shame when sometimes a minority of people take there enthusiasm a bit too far and get carried away with it, swinging there bodies all over the place, especially into small girls and people who are clearly not in the mosh pit. Different people enjoy gigs in different ways, some people like to mosh as there expression of enjoyment of the music, and some people just like to enjoy the music. The two should not have to clash, even at a small venue such as Joiners. In spite of this, the raw emotion that was shown by each band on the night is enough to get even the mellowest of guys stirred. The Intimacy of Joiners makes it feel like you’re at one with the band, the audience able to see each emotion on the bands faces – to study/to admire.
It has been another fantastic year for Bondax. From being bedroom producers, to getting airtime on BBC radio one, to now selling out shows up and down the country, the Lancashire born duo are quite simply killing it. With a new album out featuring the likes of Karma Kid, Darius and Olsen they have managed to shake off the stigma of just being the ‘Northern Disclosure’ (albeit not a bad comparison to have put on you). Having seen all the praise and adulation from publications such as Mixmag, to The Guardian, we at Noise Cannon decided to see what all the fuss was about for ourselves, catching them on there album tour ‘Bondax & Friends’ down in Southampton at Switch.
Bringing back those Channel U and Risky Roadz vibes Skepta teams up with A$AP Mobs Young Lord to deliver us his latest single in the build to his much anticipated album Konnichiwa. The second wave of grime is in full effect, but with the instrumentalists taking most of the spotlight this time around, it was time for the MC’s to respond. Wiley’s new album Snakes and Ladders is rising up the charts, and Skepta is ready to follow – it’s a good time to be a fan of grime. The track is a real head-bopper, the 8-bit bouncy beat combined with Skepta’s flow has a very nice old school feel to it. It’s a throwback, anyone who use to listen to Frontlinerz, Choong Family, or P2J Project, will definitely appreciate the sound – check out Giggs collaboration with B.O.B on ‘Don’t Go There’ for similar tracks. Young Lord sings the catchy chorus, with Skepta delivering the heat. Pure fire!
First published: November 10, 2014
David Fincher directs one of the most intense and absorbing thrillers to hit the big screens this year, with his wonderful adaptation of the best selling novel by Gillian Flynn. This film is pure jaw-dropping, edge of your seat stuff, and fans of the novel will not be left disappointed.
According to many eminent scholars, authors and theorists of the English language, ‘cellar door’ is a phrase which is beautiful pure in terms of its sound – regardless of its meaning. It’s a weird juxtaposition then that the young and gritty rap duo The Underachievers, hailing from the urban outlaying of Flatbush, Brooklyn have decided to name their latest project after it. The frenetic rhymes, hazy and dark beats; that type of hit-you-in-the-face, hundred mile an hour flow. This is a gnarled and darkened beauty, one which someone may revel in a full moon on a clear, warm summer night, or appreciate the beauty of a graffiti-layered backstreet alley. The rhymes are hard hitting, the rappity-rap ganja-toking archaic style of MCing prominent on all tracks.
Whilst the media focused on the release of the controversial track ‘Draft Days’, on the undercurrent was the release of the much more sensual ‘Days In The East’. The day before ‘Days In The East’ was released Drake had openly criticised Chance the Rapper and a number of NBA and NFL players, whilst also expressing his affection for Hunger Games actress Jennifer Lawrence on ‘Draft Days’. Expectedly, this mounted a media fury, but as the dust began to settle the focus shifted, as the beautifully melodic ‘Days In The East’ took over.
Having already had a taste of chart success with his critically acclaimed debut album Tribute, John Newman is out to shake up the charts again with his new single ‘Out Of My Head’. The track is the fourth single off the album, following on from previous successful singles ‘Cheating’, ‘Losing Sleep’ and the smash hit ‘Love Me Again’. Newman combines his iconic brassy vocals with a dramatic backdrop in his latest effort, in what looks to be another winning combination.
It’s been a couple of years since Ghetts has released any material, and when he announced that a new album was on its way last year, everyone knew that he had been cooking up something special, and after listening to the album several times already, it’s safe say that he has successfully produced one of the finest albums ever by a UK MC. In a recent interview with MTV, Ghetts explained what he wants listeners to take away from the album: “the substance – I want them to listen and relate to it, rather than it just be another CD to listen to.”
The problem with Rick Ross is that he lacks any star qualities. His flow is good, his lyrical content is good, the beats are good, and that is how the album really plays out – it’s just good. There’s no wow factor where you might listen to a track and immediately have to rewind it and play it again, or a string of lyrical wordplay that makes you sit back and take notice. The album just goes by without any much thought or attention paid to it, like a background soundtrack to a long boring car journey on the M25. Innovation and creativeness isn’t exactly what Ross is about, but in terms of consistency the rapper can take all the plaudits, solidly delivering good album after good album, and Mastermind is no different to previous projects.
Floating around in space riding a unicycle with no care in the world, looking down at Earth with a beaming smile on my face. This is how Satellite Flight makes you feel. The beautiful synths and atmospheric melodies that play throughout the album are hugely captivating. It is these musical elements combined with Cudi’s iconic hums and distorted singing that really do create the feeling of floating through space on your way to the moon. This encapsulating feeling makes Satellite Flight one of the most intriguing and innovative albums of the 21st century.