Back in May when I wrote the first part to this I wouldn’t have believed that I would be writing a second part several months later. Time is a weird thing, and amiss of any live music, festivals and any significant trips away, apart from visiting the Motherland for a few weeks, the months have rolled into one and gone by in a blur. I’ve learnt to accept the situation and know that I cannot control what will happen, counting my blessings each day that the people close to me are safe, and that I’ve not lost anyone during this time. Having worked in music and live events since University, their absence has been hard to come to terms with, and with the Goverment response to this, asking people like myself to retrain, has been somewhat anger-inducing, to say the least. Finally we are now seeing some socially distanced shows happening, and being able to mark them into the diary. It’s great to see a venue that I’ve worked at for the past few years, The O2 Arena, having their first show back on the 5th of December.
Continue reading “Feature: Top 10 Music-Related Things to Watch During Lockdown, pt. 2”Feature: Top 10 Music-Related Things to Watch During Lockdown, pt. 2
Posted in Features, JournalismTagged (What's The Story) Morning Glory?, A Thousand Suns, Alicia Keys, Alternative, Behemoth, Big Night Out, Britpop, Coronavirus, COVID-19, Discover, Disney+, Dutch Hardcore, DVD, Experimental Rock, Extreme Metal, Frank Carter & The Rattlesnakes, Grime, GRM Daily, Hamilton, hip-hop, IDLES, KEXP, Linkin Park, Live At Home, Live In The K! Pit, Live Music, Lockdown, Los Cogelones, Maida Vale, Metal, Mexico, Music, Music Documentary, Music Feature, Music Journalism, Musical, Musicians, New Music, Noisey, NPR, NPR Tiny Desk Concert, Nu-Metal, Oasis, Poland, Polish Metal, Punk, Punk Rock, Quarantine Watches, R&B, Return To Rockfield, Rock, Theatre, Together We Rise, Ultra Mono1 Comment
