Little Simz continues to show her enormous talent on her third full-length album ‘GREY Area’. The diverse subject matters, musical styles and the fantastic tempo of the album, switching from the ferocious ‘Venom’ – a full-throttle attack on how women are treated in a male dominated hip-hop scene, over a breathtaking trip-hop beat, to the beautiful and subtle sounds of ‘Pressure’, which is a politically motivated track on recent events in London, and life in an inner-city. It’s an album that is perfectly timed too, at 35 minutes it allows for the topics to be unravelled and the talents of Simz to bear fruit, but without the pace ever feeling like it’s slowing down or reaching a lull. Like a perfectly timed jab to the face, ‘GREY Area’ is an album that demands your attention, in a world where that is hard to attain.
So, if you’re a fan of hip-hop you’ve probably heard Drake’s new album/playlist ‘More Life’. If you haven’t, then I recommend checking it out. The blend of different musical styles and influences really work, and shows the love Drake has for all kinds of music. It’s a fun project, and should be treated as such. But alas, this is not a review of ‘More Life’.
If you’ve listened to ‘More Life’ then you would’ve noticed that it features UK artists such as Giggs, Jorja Smith, Skepta and Sampha, and has a distinct British feel to it. It’s no secret that Drake has been a huge fan of the UK hip-hop/grime scene for a while now, consistently showing his support for new releases and tours. The likes of aforementioned Skepta and Giggs, and up-and-coming artists such as Dave and AJ Tracey have all benefited from his love and support, allowing thier music to be opened up to a broader audience that Drake has.