Having already looked at my albums of the month for January and February, I now move onto March. The first two months of the year brought us some great music, and March continued in the same vein. Just like my previous posts, I’ll start with a quick update on the state of the world back then; it had imploded. Speaking of someone who lives in the UK, our Government started a shit show of a plan to prevent the spread of Covid-19, as we were shown numerous graphs of how to ‘flatten the curve’, and Boris Johnson reassured the nation by stating that “many more families are going to lose loved ones before their time”. He then set out plans to do absolutely nothing for weeks… Eventually, we were all ordered to stay at home, which led to a new outbreak which swept across the nation; boredom. Time was spent binge-watching the latest Netflix series, baking numerous amounts of banana bread, and attempting to learn new skills, as we began to settle into the ‘new normal’.
Continue reading “Album Reviews: My Top 5 Albums Released in March”Album Reviews: My Top 5 Albums Released in March
Posted in Album Reviews, JournalismTagged Abel Tesfaye, After Hours, Album Review, Alternative, Avante-Garde, Brighton, Code Orange, DIY, DIY Magazine, Eddie Vedder, Emo, England, Every Bad, Gigaton, Grunge, Hardcore, Indie, Industrial, Journalism, March, Melancholy, Mercury Prize, Metal, Milk Teeth, Music, Nervus, Pearl Jam, Pop, Porridge Radio, Punk, R&B, Review, Roadrunner Records, Rock, Rough Trade Records, Seattle, Talking Heads, The Weeknd, Underneath, USA2 Comments
