After looking through some of my old work, I stumbled across the disseration that I wrote for my final project at university back in 2016, and decided to give it another read. Lockdown boredom may have reached new heights, and brought me to an educational read which I enjoyed more than I thought I would. Perhaps as it brought back the memories of writing it, which with the benefit of time and rose-tinted glasses seemed great, but the sleepless nights and Red Bull driven researching weren’t. Whilst I’ve ditched the Red Bull, and seem to be sleeping fine, going back down memory lane and the same rabbit holes as I orginally had, seem like the perfect distraction to another stressful time, as we are in now. As you may have ascertained from the title of this post, my disseration was about European hip-hop, in particular the development and impact of the genre in France, Italy and Germany during the 1980s and 1990s. In that, I waffled on about Globalisation, Americanisation and the history of hip-hop, but I’ll save you from the academic jargon, and dive right into the various scenes themselves.
This dissertation will provide an in-depth analysis into the development of hip-hop in three European countries: France, Italy and Germany, during the 1980s and 1990s. Drawing from the ideas of important theorists such as Andre Prevos, Tony Mitchell, Mark Pennay, and Dietmar Elflein, and a variety of relevant online articles, documentaries and films, it will show how each country adapted the musical idioms and styles of American hip-hop to create unique offshoots. Discussing the key artists within each country, and how hip-hop impacted on society. The key theories of Globalisation and Americanisation will be used to show how hip-hop arrived into Europe from America, and an overall background of the birth and growth of hip-hop from the depravity of the New York projects will also be given.
First published: May 9, 2016
Where?: For academic purposes BA (Hons) Popular Music Journalsim 2015/16 – Southampton Solent University