By the time May came around, each month had started to blur into one, and a feeling of doom and gloom lay rife in the air, as everything that we had looked forward to slowly withered away and was being cancelled, or rescheduled for what would be either the first or second time of many more. Completing a Netflix series had become the norm and no longer an accomplishment, and having walked the 5 mile radius surrounding my London flat a good ten times over, it all started to feel like a Deja Vu. New lockdown hobbies and interests started to fade, and the constant battle to stay motivated was a fortnightly crisis. Even new music wasn’t quite hitting the mark, and some of the albums in this post were listened to retrospectively.Continue reading “Album Reviews: My Top 5 Albums Released in May”
Next up in my series ‘Origins of European Hip-Hop’, I’ll take a look at a fragmented and divided hip-hop scene in Germany. Whilst in both France and Italy artists had ideological differences, and both scenes had significant political impacts, no scene in Europe had the kind of political backdrop and contrast of musicians than that in Germany. From Nationalist movements to Turkish rebellion, this post will piece together the development of hip-hop in a country still feeling the effects of the Second World War.Continue reading “Origins of European Hip-Hop: Deutscher Hip-Hop”
It was August 3rd, 1995. The second annual Source Awards was taking place, at the Madison Square Garden’s Paramount Theater in New York. The events that night would change the course of hip-hop forever. At the time, Tupac had been shot and was sequestered in jail, with a bitter rivalry between the East Coast and the West Coast reaching a boiling point. This boiled over at the Awards ceremony, with Suge Knight, of Death Row Records (West Coast), taunting his rival Sean ‘P Diddy’ Combs, of Bad Boy Records (East Coast), onstage. The nature of the attack didn’t go down well, and the night descended into a tit-for-tat between the rival areas, with Snoop Dogg confronting the crowd after getting abuse, and Diddy throwing shots back at Suge by saying, “I live in the East, and I’m gonna die in the East.” The rivalry ballooned into violence and ultimately culminated in the deaths of Tupac and the Notorious B.I.G, a year later.
Since 2008, National Public Radio have hosted an online live music series called ‘Tiny Desk Concerts’. Featuring artists from all genres, the show has starred musicians such as Chance The Rapper, Sampha and Cigarettes After Sex, to name a few. The format continues to routinely deliver, allowing artists to perform a few of their favourite tracks in an intimate office enviroment. After watching Jorja Smith‘s mesmerising performance in her latest Tiny Desk Concert, I decided to pick out five of my favourite sets from recent months.
I saw these guys whilst at All Points East festival in London last weekend and fell in love with them straight away. Their infectous grooves are undeniably influenced by the great Bee Gees and electronic duo Daft Punk, who they have recently worked with on their single ‘Overnight’. Originaly from Byron Bay in Australia, they’re now based in Berlin.
At different times in life music will come along and make an impact on you that words will never do justice. A particular band or a musician may encapture all those feelings, or it might just be a genre or a scene. During my teenage years it was mainly hip hop and grime, mixed with a flavour of pop punk and nu metal, that fueled my inner angst and confusion with the world. Artists such as Kid Cudi and Blink 182 would be interchangeably blasted from my room. It was a weird mixture of styles, summing up my varying music tastes but also the confusing, conflicting and changing times that growing up through your teenage years can be like.
Since I lived in Valencia for a year, I’ve become increasingly interested in Spanish music, not only as a means to learn the language, but learning about the different scenes and innovation that is taking place, stumbling upon some fantastic artists and bands along the way. This led me onto discovering the absolute hidden gem that is Quentin Gas & Los Zingaros, after reading an article on Spanish Psych Rock that a friend sent me, which you can read here. As the name of the article suggests, Quentin Gas & Los Zingaros are a Psychedelic Rock band, but with a twist.
Over the past year I’ve become hooked on listening to podcasts. Whether it’s on my commute to work or whilst I’m doing chores around the house, a podcast is usually what accompanies me. They’re easily downloadable, FREE and a great way to absorb information on the fly, or simply just for entertainment. Podcasts have become an increasingly popular form of media, with some shows drawing in millions and millions of listeners. The way that we consume media is constantly changing and podcasts have found their own niche and audience, where more mainstream media and radio has failed.
In my quest to learn the Spanish language I have often turned to music to help me. This has mostly been a futile attempt, but has led me to discovering many great bands and artists. Beyond the well-known stars such as Shakira, Daddy Yankee, Enrique Iglesias, Ricky Martin and Alejandro Sanz, there’s a vibrant and well-supported scene with some absoloute gems to be found. Whether it’s to aid your learning, or simply for your own enjoyment, the Spanish-speaking music scene has a variety of styles and genres to tickle your fancy. From indie-rock to Spanish trap, here’s a list of 10 artists that you need to know right now:
Sometimes it’s hard to describe feelings, or a moment(s) that happen in our life. Feelings of wanting more, or a moment of deep depression that you can’t figure out. Like many, I turn to music to help me through times like these. Sometimes all it does is extenuate the problem and increase the feelings that were being felt, but often this can be the release of emotion that you were after. After dragging yourself to get some much-needed sleep, the next day is always there, and often that can be a reassuring state.