Emotional Hardcore – Will Garnett

Album Reviews: Wrap Up of 2020, June – December

December 16, 2020April 22, 2021Posted in Album Reviews, JournalismTagged A Celebration of Endings, A Hero's Death, Acoustic, Aesop Rock, Album, Album of the Month, Album Review, Albums of the Year, August, Backpack Rap, Biffy Clyro, Bring Me the Horizon, Bristol, Bronson, Country, COVID-19, Creeper, Death Of An Optimist, December, Deftones, Discover, Doves, Drum & Bass, Electronic, Emo, Emo Rap, Emotional Hardcore, Everything Everything, Existential Reckoning, Fairhazel, Fever 333, Folk, folklore, Fontaines D.C., grandson, hip-hop, I Sold My Sould For Fairhazel, IDLES, Indie, Indie-Rock, Irish Folk, Irish Rock, Juice WRLD, July, June, Kid Cudi, Lamb of God, Lament, Man on the Moon III, Marilyn Manson, Mental Health, Metal, Mike Skinner, Miley Cyrus, Moral Panic, Mosh Pit, Movements, Music, Music Feature, Music Journalism, Music Review, New Music, No Good Left To Give, None of Us Are Getting Out of This Life Alive, Nothing But Thieves, November, Nu Metal, October, Ohms, Pandemic, Phoebe Bridgers, Phoxjaw, Plastic Hearts, Pop, Pop-Punk, Pop-Rock, Post Human: Survival Horror, Punisher, Punk Rock, Puscifer, PVRIS, Rap, Re-Animator, Review, Rock, Royal Swan, RTJ4, Run the Jewels, September, Sex Death & the Infinite Void, Spirit World Field Guide, Taylor Swift, The Chosen, The Streets, The Universal Want, Touche Amore, Twin Heavy, UK Garage, Ultra Mono, Use Me, WE ARE CHAOS, weird!, Willie J Healy, Wrap Up of 2020, Wrong Generation, YUNGBLUD3 Comments

I’ve been trying to think of something profound to say about 2020 as an introduction to this post, a wrap up of the rest of my month-by-month album reviews of the year, something I started during the first lockdown, and in synergy to how this pandemic has gone; those posts started with much fluster, meandered, and has now come back with renewed enthusiasm, and a new string (strain) to its bow. The new strings in this post are simply a more rushed approach to getting these album reviews done, or simply sharing what albums I enjoyed listening to each month, much like the UK governments approach to getting the Pfizer vaccine approved, or quickly hashing out a last minute trade deal with the EU.

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Album Reviews: My Top 5 Albums Released in April

October 8, 2020April 22, 2021Posted in Album Reviews, JournalismTagged Acid Jazz, Album, Album Review, Alternative, America, April, Bad Decisions, Blink 182, Discover, Electronica, Emo, Emotional Hardcore, England, Enter Shikari, Fetch the Bolt Cutters, Fever 333, Fiona Apple, Geography, Hardcore, Heartwork, hip-hop, Human League, Jason Aalon Butler, Journalism, letlive., Lo-Fi Hip-Hop, London, Mark Hoppus, Metacritic, Metal, Music, Music Feature, Music Journalism, Music Review, neo-New Wave, neon-R&B, New Music, Nightrider, Nothing Is True & Everything Is Possible, Panic! At the Disco, Piano, Pop-Punk, Post-Punk, Punk Rock, Review, Rick Rubin, Rock, Rou Reynolds, Songwriter, The New Abnormal, The Strokes, The Used, Tom Misch, USA, Venice Beach, What Kinda Music, Yussef Dayes4 Comments

Here we go again! As I continue to look back through my albums of the year, month by month. This time I’ll take a look at April, which saw the return of The Strokes after seven years, the wonderful collaboration between Tom Misch & Yussef Dayes, amongst fantastic new albums from Enter Shikari, Fiona Apple and The Used. April once again saw an abundance of new music, and as always it was hard to pin down what my top five albums were. This list could have easily included Thundercats ‘It Is What It is’, and new releases from R.A The Rugged Man and Dance Gavin Dance, but alas I can only pick five, and these are the beautiful albums that I have chosen.

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